Post by account_disabled on Mar 11, 2024 0:17:33 GMT -5
The of the Bastille and the owners of the guillotine have merged here Blanchot into one and the same presence. between its excessive commitment to political art hyperprogrammed in institutions galleries and even fairs and its minimal capacity to influence artistic politics is dysfunctional . Or that its insolvency to close the distance between such grandiose public rhetoric and the very tiny place that the concrete actions of art occupy in the public consciousness is evident. What then is the proposal launched this time for the postpandemic At the moment we have heard everything from the demand for a Marshall Plan for art to its equation with toilet paper in the hierarchy of our needs.
Likewise some tricks already seen in previous crises are pulled out of Japan Telegram Number Data sleeves. Such is the case of the appeal to process and knowledge to social action and artistic practices to the pedagogical profile of museums and their place in the empowerment of civil society . The problem is that euphemisms as John McWorther reminds us are like underwear you have to change them every day. A simple Google search exercise is enough to see how much it takes to start the washing machine. It is enough to type one of these magical concepts process for example to verify that this potion is not that new nor can it boast of credits that are too reliable when it comes to saving us.
More than a decade ago before the financial crash of the panacea of the process and the paradigm change were already running through the pBannedageways of this world at the same time that museums published fewer and fewer catalogs or books due to cuts. budgetary. A lot of commitment to knowledge until problems arise and we throw overboard the ideal supports to house it. Beyond the repertoire of hackneyed phrases what will remain unchanged.
Likewise some tricks already seen in previous crises are pulled out of Japan Telegram Number Data sleeves. Such is the case of the appeal to process and knowledge to social action and artistic practices to the pedagogical profile of museums and their place in the empowerment of civil society . The problem is that euphemisms as John McWorther reminds us are like underwear you have to change them every day. A simple Google search exercise is enough to see how much it takes to start the washing machine. It is enough to type one of these magical concepts process for example to verify that this potion is not that new nor can it boast of credits that are too reliable when it comes to saving us.
More than a decade ago before the financial crash of the panacea of the process and the paradigm change were already running through the pBannedageways of this world at the same time that museums published fewer and fewer catalogs or books due to cuts. budgetary. A lot of commitment to knowledge until problems arise and we throw overboard the ideal supports to house it. Beyond the repertoire of hackneyed phrases what will remain unchanged.